We then returned the fully composed RGB prototype along Sony’s best traditional mini-led TV, the Bravia 9 (9/10, Wired) and the flagship OLED of 2023, the A95L (9/10, recommended), and the results were again impressive.

Although the prototype could not create the same perfect black levels and focused contrast of the OLED model, it had strikingly effective flowering control and image focus. The colors looked richer and saturation than both TVs, and its brightness even surpassed the Bravia 9, one of the fiery TVs in his class. Sony says the screen can produce 99 percent of baseline DCI-P3 color spectrum, and 90 percent of the more advanced BT.2020 spectrum, both most important achievements. Just as interesting is the alleged level of color control of the screen at low brightness, designed to improve the accuracy of current screens in dull lightened scenes.

Courtesy of Sony

Interestingly, this is not the first RGB LED screen in Sony’s 60-year-old TV catalog. Sony launched a narrow archaic version of RGB LED Tech in 2004, although the version can barely be compared to the screens of today. The best mini-led TVs consist of thousands of lights and hundreds of dams for much better brightness, accuracy and accuracy than in the early days.

Still, just as striking as these latest RGB mini ledes, they are not nearly as small as the millions of pixels that make up 4k TVs so that they cannot create near the exact color rating needed for the billion plus colors that modern TVs can display on their own. As the engineers showed, the RGB prototype uses color filters, Sony’s own XR color amplifier and other technologies to produce the final product.

This requires a hand-off between the three-colored taillights and the rest of the panel, all of which should be coordinated by the processors of a TV. According to Sony, this is at the heart of what distinguishes the actions of its RGB TV from other brands. This is part of what makes the Japanese brand’s entry into the RGB TV Horse Race so interesting.

A fantastic view from any angle

Sony outlined several ways in which its RGB shows the best LED TVs of today in my time in Japan. The ability to create subtracting colors between the taillights and the color filters leads to higher efficiency for improved brightness, which is possibly equal to Sony’s well -known professional monitors. The lack of white light behind the panel reduces light spills and allows for more focused colors, for better bleeding control, and the creation of colors at the light source allows for a higher bit depth in color rating and better saturation than traditional LED screens. This means richer and more accurate color production.

Perhaps the most compelling feature of RGB LED TVs is their improved performance outside the ashes for when you do not see head. The brightness and colors of the prototype looked excellent for an LED -TV as he walked to the side, something Sony says is thanks to both the cell structure of the new show as well as the advanced color rating control.